Ilya Rylov Carries Sacks for the Ingathering
Ilya Rylov Carries Sacks for the Ingathering
The Bazaar has been staging for two days — sacks stacked past their line along the Arcade, chalk tallies marked before the carts even stop. Ingathering opens tomorrow and runs to the fifteenth. This morning Ilya Rylov works the granary steps, carrying grain two sacks at a time from cart to chalk-marked row, sweat cutting a line down his neck before the second bell.
Two days past his mother held the doorframe and asked him three things before he went to hear the Vairoc drums: did he know the leaf, would his heart go too fast, did the door look wrong. He said yes to get past her. She held the frame until he meant it. He was home before the tenth bell.
This morning no one asks him anything. He carries sacks. He drops one wrong against the row and a tally-hand marks a scuff on the chalk, and he apologizes to a stranger for a sack of grain, the way anyone his age apologizes for anything.
Corvus has spent two days writing what his mother’s three questions closed that no record could. Zara has found her own face grown uninvited in a stranger’s tea and is still deciding whether that counts as proof. Morron drank the tea himself and ran home from a shadow that turned out to be the Temple spire. None of them are on the granary steps this morning.
Ilya is. He works past midday, takes his pay in slivers, counts it twice the way his mother counts anything that matters, and walks home the ordinary way, by the ordinary street, in ordinary light.
Whether he goes back to hear the drums again, I don’t know. Neither does she, probably. What I saw: a boy carrying sacks the day after being asked if his heart was racing, because the Ingathering needs hands more than anyone needs an accounting of his fear.
Old Ren was two stalls down, cutting thistle-bloom to order — it doesn’t keep, so he cuts it fresh each time it’s wanted. He didn’t look up either.